Pre-sets and Post-sets: Poetics and Projections
summary
Company demo shows a spatial-story tool with 36 million users and 200 employees, claiming better memory via landmark-style layouts and real growth metrics; a cultural lab launches disimages.com selling artist-made royalty-free stock, using FaceShift motion capture and commissioning produced videos after sales; a research group auto‑generates image pipelines, creating 359,000+ candidate programs and finding ~500 valid ones to localize cups and classify drivers’ facial emotions; filmmakers test light‑field and realtime animation tools to make post‑capture edits possible.
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chapters (8)
- 0:00Panel introduction
- 1:55Defining presets and post-sets
- 4:21Spatial storytelling and Prezi
- 11:20Dis magazine and stock imagery
- 24:35Digital publishing and Issuu
- 31:48Scientific approach to imagery
- 45:20Filmmaking and unrealized ideas
- 58:54Final discussion and reflections
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