"The Concert Programmer"
summary
Live-coding generates a full jazz-flavored set: code defines instruments and volumes, uses temporal recursion to schedule notes, a cosine-based arpeggio for the right hand, and modulo logic to change harmonic route on the first beat of every second bar. Two acoustic robotic pianos play alongside an FM synthesizer emulating electric bass, a kick and stochastic hi-hats, scale quantization keeps pitches consonant, and a 40% probability gate brings in a sparkly synth; the system builds, peaks, and winds down cleanly.
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