The Exhibition as a Living Organism
summary
A survey of an ongoing installation that treats the show as a self-updating system: a purchased plot in Almería is live-streamed to Munich, sensors trigger sound and light, a moving wall dims and speaks, dancers and visitors feed an AI that generates AI-modeled voice of Susan D answers as an oracle, and prosody from recordings is grafted onto landscape data to make granular sound. The claim is that an exhibition as living organism can be networked across places and time; the setup works as a feedback loop with unpredictable emergent responses.
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chapters (11)
- 0:00Introduction to the exhibition
- 1:31Conceptualizing exhibitions
- 4:02Space as a medium
- 5:50Programming the house
- 8:09Collaboration and live systems
- 10:53The role of the voice
- 13:00Integrating AI as an oracle
- 15:03Technological interactions
- 18:40Landscape and connectivity
- 21:22Long-term artistic vision
- 23:20Unrealized dreams and conclusion
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