An Artistic View on Circularity
summary
Conversation reports concrete experiments: a film score uses recycled Boeing metals instruments built from salvaged plane alloys and played successfully on set; a factory visit shows a robot arm that picks copper precisely then crushes cars into compact cubes, framing recycling as choreography; a proposal maps out a human-voice architecture that measures each body’s resonance to form a singing structure; and sound-design for electric cars treats silence as composable material, claiming vehicles can be sculpted as audible art.
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chapters (18)
- 0:00Introduction
- 1:04Visual art and music traditions
- 2:48Synaesthesia and sensory connectivity
- 5:58Chronic noise pollution
- 7:00Composing silence and beauty
- 8:03Circularity in music and recycled instruments
- 9:06Visual instruments and kinetic sculptures
- 11:11Algorithms and human synchronicity
- 12:16Harmony of light and sound
- 13:19Importance of playfulness
- 14:00Collaboration and innovation
- 15:22Overcoming fear in partnerships
- 17:50Collaboration as societal model
- 18:54Power of deep listening
- 21:00Artists shaping future sound
- 22:46Artists in residence and corporate change
- 24:11BMW recycling plant aesthetics
- 26:43Unrealized projects and ambition
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